The pictures were placed, forming a field, that could be regarded by improvisational field-glasses. This implies movement and decision, this implies determination of the position, of the perspective, of the picture details as well as the point of view. A kind of score. It is up to the observer, to deal with it. The pictures, placed on the floor, result from the way they are made, like a piece cut out of the atelier.

Sheets, 1988, tempera on card, 50 x 70 cm